{"id":1028,"date":"2025-07-16T13:22:04","date_gmt":"2025-07-16T13:22:04","guid":{"rendered":"https:\/\/www.thomasmeadowcroft.com\/?page_id=1028"},"modified":"2026-08-02T11:37:58","modified_gmt":"2026-08-02T11:37:58","slug":"catalogue","status":"publish","type":"page","link":"https:\/\/www.thomasmeadowcroft.com\/index.php\/catalogue\/","title":{"rendered":""},"content":{"rendered":"\n

Work Catalogue<\/h2>\n\n\n\n

SYMPHONY ORCHESTRA<\/p>\n\n\n\n

Hollywood Parsifals<\/a><\/em><\/p>\n\n\n\n

concerto for orchestra and foley artists — instrumentation: 2 soloists (foley artists, with one soloist doubling as percussionist) \/ 3.3.3.3. \/ 4.3.3.1 \/ Timp. \/ 4 perc. \/ harp \/ keys \/ strings — duration 34′ \/ 2026<\/p>\n\n\n\n

The<\/em> News in Music<\/em><\/a><\/em><\/p>\n\n\n\n

instrumentation: 3.3.3.3. \/ 4.3.3.1 \/ Timp. \/ 3 perc. \/ harp \/ keys \/ strings \/ samples — duration 27′ \/ 2017<\/p>\n\n\n\n

Peacemaker Tattoo<\/em><\/p>\n\n\n\n

orchestra and Revox tape machine — instrumentation: 3.3.3.3. \/ 4.3.3.1 \/ 3 perc. \/ tape machine \/ strings — duration 4′ \/ 2011<\/p>\n\n\n\n

STUDIO ORCHESTRA<\/p>\n\n\n\n

Forever Turnarounds<\/em><\/a><\/em><\/p>\n\n\n\n

instrumentation: alto sax 1 (doubling cl in Bb and flute) \/ alto sax 2 (doubling cl in Bb and flute) \/ tenor sax 1 (doubling cl in Bb and flute) \/ tenor sax 2 (doubling cl in Bb and flute) \/ baritone sax (doubling bass clarinet) \/ 1.4.4.1 \/ drumset \/ aux perc. \/ bass \/ harp \/ piano \/ organ \/ strings — duration 13′ \/ 2022<\/p>\n\n\n\n

Evening Continuo<\/em><\/p>\n\n\n\n

instrumentation: alto sax 1 (doubling cl in Bb and flute) \/ alto sax 2 (doubling cl in Bb and flute) \/ tenor sax 1 (doubling cl in Bb and flute) \/ tenor sax 2 (doubling cl in Bb and flute) \/ baritone sax (doubling bass clarinet) \/1.4.4.1 \/ drumset \/ aux perc. \/ bass \/ harp \/ piano \/ organ \/ strings — duration 9′ \/ 2022<\/p>\n\n\n\n

ORCHESTRAL ARRANGEMENTS FOR THEATER<\/p>\n\n\n\n

P<\/em>ferd Frisst Hut<\/em><\/p>\n\n\n\n

musical based on Eug\u00e8ne Labiche’s Un chapeau de paille d\u2019Italie<\/em> — music: Herbert Gr\u00f6nemeyer \/ direction: Herbert Fritsch — co-production Theater Basel SWI and Komische Oper Berlin GER 2023\/4<\/p>\n\n\n\n

Von Einem, der auszog, weil er sich die Miete nicht mehr leisten konnte<\/em><\/em><\/p>\n\n\n\n

opera\/music theater from Ren\u00e9<\/em> Pollesch and Dirk Von Lowtzow — music: Dirk Von Lowtzow \/ direction: Ren\u00e9<\/em> Pollesch — production Volksb\u00fchne am Rosa-Luxemburg-Platz, Berlin GER 2015<\/p>\n\n\n\n

MARCHING BAND<\/p>\n\n\n\n

March Static<\/em><\/em><\/p>\n\n\n\n

instrumentation: variable (<eight melodic lines \/ <eight drum parts) — duration variable \/ 2018<\/p>\n\n\n\n

VOICES AND INSTRUMENTS<\/p>\n\n\n\n

Love Songs Without Subjects<\/em><\/a><\/em><\/p>\n\n\n\n

instrumentation: voice and six players — text: excerpt from Seminar XII<\/em> by Jacques Lacan, with quotations from various love songs — duration 42\u2032 \/ 2024\/5<\/p>\n\n\n\n

Children over a Sea of Information \/ Die Kinder \u00fcber dem Informationsmeer<\/em><\/p>\n\n\n\n

instrumentation: girls’ choir and string orchestra — text: anonymous social media comments — duration 20′ \/ 2019<\/p>\n\n\n\n

Eremozoic Age Lovers<\/em><\/em><\/p>\n\n\n\n

instrumentation: voices and organ — text: excerpts from the writings of Edward O Wilson, combined with anonymous ‘sweet nothings’ — duration 17′ \/ 2014<\/p>\n\n\n\n

CHAMBER MUSIC<\/p>\n\n\n\n

Catastrophes Explained to Children<\/em><\/em><\/p>\n\n\n\n

instrumentation: two keyboard players and two percussionists — duration 20′ \/ 2026<\/p>\n\n\n\n

Another Children’s Television<\/a><\/em><\/em><\/p>\n\n\n\n

instrumentation: two keyboard players and two percussionists — duration 25′ \/ 2022<\/p>\n\n\n\n

Forward Through Circles<\/em><\/p>\n\n\n\n

instrumentation: two keyboard players and two percussionists — duration 25′ \/ 2022<\/p>\n\n\n\n

\n
\n